Ebook Free , by V. E. Schwab
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, by V. E. Schwab
Ebook Free , by V. E. Schwab
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Product details
File Size: 5246 KB
Print Length: 1244 pages
Publisher: Tor Books (August 15, 2017)
Publication Date: August 15, 2017
Sold by: Macmillan
Language: English
ASIN: B071JMGHGQ
Text-to-Speech:
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Amazon Best Sellers Rank:
#86,501 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
While the first few chapters of the first book were slow to drag me in, the story began to pull at my heart and pique my interest. The I was hooked. What a wild ride this story was. Its imagery and descriptions fuel the action so well. Loved this journey, pain and all.
An adventure I would take again and again. The best series I've read in a long time, with a balance of love, friendship, and intrigue.
Really enjoyable story, characters, and world building. Wish there were more!
This is a very fast paced and entertaining trilogy where each book is better than the previous one. In all honesty, I considered not continuing after the first one because, while it was certainly entertaining, the style was kind of YA-ish and I didn't see it having much by way of theme or sophistication (I was particularly bothered by the black and white good vs. evil divisions). It was definitely worth it to continue on. The second book is a delight in terms of character interactions and the third brings in more themes and moral complexity and ties things up in a very satisfying way (there are some mysteries left unexplained- but I see that the author intends to write more books in the same world, so perhaps we'll get answers later).One thing that I appreciated, which many readers may not, was how transparent the mechanics of the story are. The author is clearly very trope-savvy and she clearly clues you in on exactly which ones she's using and how exactly she might be subverting them. There are certainly some plot points that come as a surprise, but there are also a lot of clear set-ups where the suspense comes from wondering how this element is going to work into the whole. A downside of this is that it's easy to read into things and come up with some false positives for foreshadowing that might be deliberate red herrings or might be artifacts from previous drafts where things turned out differently or might just be errors. There are some readers who may be bothered that they can guess some plot points before they happen, but they probably can't guess all of them, so I don't think that's a serious flaw in the work. There are some predictable elements, but the series isn't overall predictable.Also, I'm noticing that a lot of negative online reviews of this series complain about Lila and call her a Mary Sue. I can sympathize if you find her annoying but she definitely isn't a Mary Sue. I mean, the term is used to mean a lot of different things, but I don't think she meets any of the serious criteria. Let me just go through it:- Author insert- no, Lila definitely isn't an author insert. I don't know the author personally, but based on her description she seems very different from Lila. And besides that, I can't imagine Lila having the patience to write one book let alone several.-Too perfect- no, Lila isn't perfect at all. She's a thief. She doesn't know what she's doing half the time. She's impulsive, which is sometimes a strength but also gets her into a lot of trouble.- The story revolves around her- no, Lila is of equal or lesser importance to the story compared to Kell. The spotlight is shared.-Overly powerful- she is very powerful, but she does lose fights and needs help sometimes-Everyone likes her- no, they don't.-Bland personality that any teenager can project themself into- Lila is bothering people by having too much personality or being too unrelatable if anything.-Wish fulfillment- nah, I don't see it.So you see, Lila fits none of the criteria of being a Mary Sue except for being a major female character with some power, which should not be a justification for condemnation.Really, Lila is mostly a gender-swapped version of the rascal outlaw trope. This is clear from her very first scene where she interacts with a wanted poster of herself that gets her gender wrong. The only things she does that a male character wouldn't do is worrying about/fending off sexual assault (not to a gratuitous extent in my opinion), befriending a dressmaker (probably a demonstration by the author that Lila's gender nonconformity is not a condemnation of more feminine women- because people are weird about that these days. Oh! But she is genuinely gender nonconforming without any hyperfeminine traits thrown in to "balance" her! That is rare.), and being attracted to men (I mean, it's rare for male characters, though obviously not unheard of- there are some gay/bi men in this by the way!). It's fine if you're annoyed by her, it's just that 1) she isn't a Mary Sue and 2) please don't hold her to a higher standard than you would a male character.Oh, and people complain about Lila being too emphatically a "strong independent woman who doesn't need anyone." Guys! You're supposed to pick up from her initial interactions with Barron that this is a lie she's telling herself! A lot of her character arc is about overcoming her fear of intimacy (and she doesn't get "tamed" as often happens with female characters with a similar starting point!). Do you complain about Shrek being too emphatically a strong independent ogre who doesn't need anyone? I thought not.
The new is not always better. One of the latest trends in fantasy and science fiction is to kill off a main character, and then bring him or her back to life through means not available for minor characters – or at least not applied by the authors.This trick allows writers to build up suspense by putting key characters in life-threatening situations which in most books must result in their somehow evading disaster but instead having them suffer and die. Then the author waves his or her hands, and voila, that crucial figure is restored to life, and the narrative.V. E. Schwab uses this trick several times in “A Conjuring of Light†(Tor, $25.99, 624 pages), the long and bloody conclusion to the Shades of Magic Series – and in addition, the premise for the existence of the powerful, inhuman embodiment-of-evil villain is such that there’s no reason another such monster couldn’t emerge the next day.As you might have guessed, I was not that thrilled with “A Conjuring of Light,†and the first two volumes – “A Darker Shade of Magic†and “A Gathering of Shadows†– were flawed as well. I stuck with them, hoping for improvement, but was not rewarded for my patience. Others, however, might not be so put off by the death-defying authorial sleight-of-hand in this pre-industrial world with magic, but even so, I would advise caution if the first book, “A Darker Shade of Magic,†doesn’t thrill you.
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